J.B. Play Reviews

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	TO: Advisor and Show Director of J.B. at Calvary Christian Academy FROM: Lori Sessions Here are the Cappies reviews for J.B.. There were 41 critics at your show, and up to now we have received 37 reviews. If we receive late reviews, we will forward them to you. Please share these reviews with your cast and crew. Thank you. -------------------------------------------------- On a beautiful Saturday afternoon, warm and sunny with the smell of the holidays in the air, a show was going on at Calvary Christian Academy. It was called, ôJ.B.ö ItÆs a play written in verse, and therefore very poetic. If there was only one word allotted to describe ôJ.B.,ö the most appropriate would be æunconventionalÆ... and therefore delightfully fresh. CCA put on a great show. ôJ.B.ö is a tragedy, since it is based on the biblical story of Job. To summarize the story, itÆs about two colorful circus carnies, Mr. Zuss and Nickles, and their friend J.B., with his wife and five children. J.B. has everythingûwealth, power, and family. And he praises God. The character Nickles points out that a happy man can praise God easily. Nickles is a tormented character in the play, set against God, and life. He denies that there is any real purpose to life, except to realize we are all miserable. His foil is Mr. Zuss. Their connection in this play is that Nickles portrays Satan, and Mr. Zuss portrays God. And J.B. is of course, Job. In the biblical book, God allows Satan to put sorrow into JobÆs life, provided that Satan lets him live. Nickles sometimes comes into the midst of J.B. and his wife and children, to show how he is there, but is not seen, as Satan must have been to Job. The effect was probably to show that J.B.Æs st ory was a play within a play, but it wasnÆt exactly clear. Some things that made this play memorable are the stage itself, the actors, and the story. The stage was ôup close and personal,ö with the audience. This made the action seem even more real, since the actors could come within inches of the audience and look over their heads. The actors were clearly enjoying what they did, and captured the story well. Viewers were easily caught up in the play by the actors alone, because they were believable. Some highlights of the acting include the great amount of dialogue between Zuss and Nickles in the beginning. They made a comical pair, as they were always contradicting one another. But they also were serious, since they portrayed the characters who changed J.B.Æs life in such drastic ways. There were also two ensembles which made their mark. The Comforters are three men, a doctor, a lawyer, and a priest, who unsuccessfully comfort J.B. in his misery. The doctor had a wonderful soliloquy that made the audience laugh and caught their attention, the lawyer performed expertly in his role, and the priest was at the same time comical, and morose, again making the audience laugh. The other ensemble will be called the Five Homeless Ladies. They were extremely funny, as they portrayed those around J.B. who laughed at his misfortune. As soon as they entered the stage, their presence was felt. J.B. was also a memorable actor for his emotion. He captured the ôjust and upright man,ö who praised God even in the midst of his misery. And the presentation of the story was the greatest attribute of all. The story of Job, or J.B. is one of sadness, but also of hope. In the end, God delivers him from all he has gone through, and begins his life anewûon Earth. He does this because Job trusted in him, but also because he is God, and that was his plan. The play brings to light how life can seem like a circus, and doesnÆt make any sense. We all wonder why, and are unhappy when we donÆt get an answer. But if we trust like J.B. did, we accept what goes on, and somehow, the play points out, there will be happiness in the end. Two thumbs up to CCA for their great performance of this meaningful and touching tragedy. Every actorÆs emotion touched the audience poignantly. Special praise goes to Nickles, J.B., Sarah (J.B.'s wife), the Comforters, and the Five Homeless Ladies. ôJ.B.ö has earned its place in the memories of those who saw this great performance at Calvary Christian Academy, November 10th. Again, g reat job to all involved. by Casey O'Loughlin of Archbishop Edward McCarthy High School -------------------------------------------------- J.B. has lost his children, wealth, sight, health, and wife - and you thought you were troubled! Saturday afternoon, Calvary Christian Academy delivered a touching production of ôJ.B.ö The lights come up on two circus vendors peddling balloons and popcorn whom immediately captivate your attention. Their voices filling the room with banter of the upcoming play. Thus begins Calvary ChristianÆs performance of ôJ.B.ö The two aforementioned circus vendors, Zuss and Nickels, take on the roles of God and Satan in this ôplay-within-a-playö. They view the character J.B., sitting down to Thanksgiving dinner with his family, describing his luck and fortune as a gift from God for his faithfulness. Nickels then challenges Zuss that J.B. will turn away from God if his life is ruined. They watch as one by one, J.B. loses his children, wealth, health, and wife to tragedy. But through this all, J.B. sustains his faith in God and is rewarded and seeks a new life with his wife, Sarah as she returns to him. J.B. was written by Archibald MacLeish in 1958 in response to the tragedies the author witnessed in the world, such as the Holocaust and World War II. It won the Pulitzer Prize in 1959 for best drama, and the Tony Award the same year. Calvary Christian Academy's production was, in a word; brilliant. The cast literally brought me to tears with their riveting portrayal of this tragic tale. The cast executed it almost flawlessly with little to no line flubs or hesitations. Nickels (Derrick Utley) by far gave the performance of the night. As an all-too convincing Satan, his ability to remain in character constantly and devote himself entirely to his role was incredible. Timothy Davis (Mr. Zuss) gave a flawless performance as a very convincing God. Playing J.B., Trevor Glindomrong showed incredible character development and devotion in his role. Amanda Bassos delivered a flawless performance as Sarah. She was perfect in a difficult role to play, and never took it over-the-top. The childrenÆs, however short appearance, were nonetheless, wonderful. J.B.Æs comforters were also a lovely ensemble, delivering some comic relief. J.B.Æs lighting and sound were outstanding, featuring no slip ups or flaws at all. Every cue was on time and well placed. Their minimal set was made up for by their immaculate use of props, costumes, and beautiful make-up. In short, I can honestly say Calvary ChristianÆs performance of J.B. in within the best high school theater I have ever seen. by Amber Anderson of Coconut Creek HS -------------------------------------------------- Love, Death, God, Satan, and a Circus. This sounds like everything in Cirque De Soleil, or a really good adaptation of the biblical play æJBÆ. JB is a modern adaptation of the biblical account of Job, as stated by its director; it was written by Archibald MacLeish and published in 1958. This play within a play starts out with two circus venders who start by talking about a æplayÆ with God and Satan. As they watch JBÆs life, which is in this second play, the two circus venders develop more and more into their characters turning really into God and Satan, portraying their thoughts as JBÆs faith gets tested. The overall productions was one of the best ever seen in High School productions. Each scene was intense, interactive and emotional. Sets small yet fit the mood, props very real, music amazing and lighting great. Costuming had each characterÆs imprint and felt natural in their own ways. All the leads put this show in its top levels of greatness; all in all there were four leads, three of them male. The circus venders, Mr. Zuss played by Timothy Davis also adapted appropriately to the role of God, and the conniving Nickles played by Derrick Utley did sneakily well as Satan. Another obvious lead is of course JB himself played by Trevor Glindimrong, and his emotionally captivating wife Sarah, played by Amanda Bassos. Each and every one of these lead characters were exceptionally great in there actions and depiction of the lives and emotions of the characters. UtleyÆs role demanded attention and had a dark yet entertaining part. Another stand out was Bassos whoÆs emotions, which carried most of this play and had a large role, felt true and dragged many in. Tech was amazing and everything from light to sound was on cue and fit every scene amazingly. The lighting helped show what piece of mind the characters are in, for example the menacing red lighting that shows every time Nickles whispers in one of the characters ear. The sounds came in great, for emotion reins great in this play and the music heightened these. Set was mild but fit the feeling of the show and the set changes were interesting from the bouncing clowns to the clown bums. Calvary Christian AcademyÆs production of JB was extraordinary, tearfully emotional and heart tugging, feeling like a lifetime network movie but a thousand times better JB will leave you wanting more. When all's said and done I would watch JB over and over again, but this time bring the tissues. by D'Andra Francois of Coconut Creek HS -------------------------------------------------- Throw in God, Satan, a man going through tragedy, a play within a play, and you got Calvary Christian AcademyÆs production of Archibald MacleishÆs ôJ.B.ö ItÆs a play in verse written in 1958 to describe the horrors the author saw. It was based on the Book of Job. It starts out with circus vendors, Mr. Zuss and Nickles. Mr. Zuss takes on the role of God, while Nickles takes on the role of Satan. The title character, J.B. has a wonderful family. One by one he loses everything he holds dear. He needs to find courage to keep believing. The whole cast become their character. The emotions were so natural. This is what made the production so great. Nickles (Derrick Utley) and Mr. Zuss (Timothy Davis) opens the play and theyÆre always together. Nickles portrayed Satan very well with the body language and even a slouch. He was very expressive and his presence was commanding. Mr. Zuss was all good as God, the complete opposite of Nickles, and yet, they worked so well together. The chemistry was there. Sarah (Amanda Bassos) was the only female lead. Her tears and feelings seemed so real. The costumes were brilliant. They were so bright and colorful, which was ironic compared to the morbid story. The scene changes were well done. It was pitch black, the stage crew was in some kind of costume, and they were relatively fast. One thing that should be mentioned about lights is when Satan was talking; there was the use of red light. It was a nice touch. All in all, this was a truly spectacular performance by Calvary Christian Academy. The emotional content would make it a hard show for any school to put on but they succeeded and even moved some of the audience members to tears. by Samantha Graff of Coconut Creek HS -------------------------------------------------- When one mans faith is put to the test, will he continue believing in the God he trusts? How far could you be pushed before you lost faith? J.BÆs life is pretty good. He has money, children, a wife and he thanks God for it everyday. His faith in God is challenged, however, when all this is taken away. Two circus vendors, Nickles and Mr. Zuss observe J.BÆs faith in God as he losses all that he loves. Nickles thinks he with lose faith in God while Mr. Zuss believes that his faith will prevail. Christian Calvary AcademyÆs production was enhanced by great character development as well as captivating stage presence. Despite some lengthy set changes, the set run crew was quiet and accurate. Derrick Utley did a top notch job in his role of Nickles, depicting accurately his characters opinions and making them believable for everyone else. Tim Davis also did a fantastic job in his role of Mr. Zuss, showing compassion for Job as he assumes his role of God. Trevor Glindomrong, who played J.B was superb at portraying his character through the ups and downs of his life. Amanda Bassos impressively played her role of Sarah, J.BÆs wife. You could feel the pain that she showed when she lost her children. The ensembles contributed to the story well and were fun to watch, adding to J.B;s opinions and beliefs about God. Christian Calvary AcademyÆs production took place in a black box theater with the audience on three sides. Prerecorded audio well contributed to the story as the voice of God. The props and costumes greatly enhanced the circus setting. Despite everything that happens, Job will have to choose whether he believes in God. They say that the Lord giveth and the Lord taketh away. Is Job strong enough to continue his belief? by Katie Boehm of Cooper City High School -------------------------------------------------- To what degree do possessions and prosperity guarantee happiness? How far would you have to be pushed before you lost faith? Calvary Christian Academy's production of J.B. raised intriguing issues as it challenged the audience with its exploration of one man's trials at the hands of the God he trusts. In 1958, Archibald MacLeish- sorrowed by the horrors of World War II- used the book of Job as a vehicle to explore the suffering he had witnessed during his lifetime. He created J.B., a play in verse, which went on to win the 1959 Pulitzer Prize for Drama. J.B introduces two circus vendors, Mr. Zuss and Nickles, who watch as reverent millionaire J.B loses family and property, and wonder if his piety will prevail. As J.B., Trevor Glindomrong presents a solid, faithful man searching for justice throughout his many trials. His transformation from a satisfied father to a poor soul, homeless and covered in boils, is conveyed gracefully. J.B.'s wife Sarah (Amanda Bassos) finally convinces him that there is no justice in life û only goodness, which must be relished, and pain, which requires love to overcome. Amanda Bassos displays rare maturity in her character, presenting Sarah's loss of her children with heartbreaking sadness. Mr. Zuss (Timothy Davis) and Nickles ( Derrick Utley),who take on the roles of God and Satan respectively, prove especially riveting and dynamic to watch. The two work in strong counterpoint- Zuss radiating an awestruck compassion for J.B. as Nickles seems to slither with doubt and impatience, waiting for J.B.'s ultimate surrender. Though the team spends much time silently watching J.B.'s story unfold, they always watch actively, remaining interested and in character. While minimal tech was demanded of the black box setting, the costumes, props, and scenery all contributed to the circus motif. Several lines of prerecorded dialogue, well-integrated by actors and technicians, were used throughout the play. The cast showed impressive proficiency with the play's verse structure, allowing the unique rhythm to move the story forward. Through his trials, J.B. comes to learn that ôthe Lord giveth, and the Lord taketh awayö. Though his world had been ravaged with tragedy, J.B. and Sarah look with love and hope toward the future, prepared to take the good as well as the bad. With its strong production, Calvary Christian Academy showed how the story of Job is as pertinent today as it ever was. by Megan Boehm of Cooper City High School -------------------------------------------------- Life is a circus. Calvary Christian AcademyÆs recent production of ôJ.B.ö showed us that the trapeze acts we go through further test the depth of our faith û in our spirituality, in our love, and in ourselves. Penned by Archibald MacLeish, J.B. is a play written in verse based on the Old Testament book of Job. We are introduced to two circus vendors, Mr. Zuss and Nickles, Timothy Davis and Derrick Utley respectively, who set the scene by assuming their positions in a ægoodÆ versus æevilÆ tale that is about to unfold. As they rest high above the performance space, another story begins. J.B., played by Trevor Glindomrong, is a well-to-do husband with a beautiful family. His wife Sarah, played by Amanda Bassos, seems to be a devoted wife and devout Believer. We follow this family as they go from having it all to losing everything. Over the course of a few years, they lose their children, their wealth, and their health. We see how far and wide both J.B. and SarahÆs faith really is only when the going gets tough. CCAÆs production was truly of star quality. Their casting choice was brilliant, as each role was strongly portrayed. Both Mr. Zuss and Nickles moved with the progress of the story, deepening their characters with every line delivered. J.B and Sarah each delivered tremendously emotional parts with honesty and utter believability. Each should be commended for their ability to exercise such a difficult skill. The entire cast should be applauded for their obvious hard work and positive energy. Even those with smaller roles truly took pride in what they were doing. CCAÆs performance did exactly what theatre is supposed to do û take us to another world that helps us look at our own. In this circus tent called ælifeÆ, we are always tested, and how we perform determines our grand finale. CCA should be truly be proud of their work. by Allison Craig of Coral Springs Charter School -------------------------------------------------- One would expect a joyful comedy when entering Calvary Christian AcademyÆs intimate theater and witnessing a circus setting. This however, was not the case. CCA took on the challenging play ôJ.Bö written by Archibald MacLeish in 1958. It soon won the Pulitzer Prize for Drama in 1959. The play, written in verse, is based on the book of Job from the bible and is written as a play-within-a-play format. Act one opens with two carnies, Mr. Zuss (Timothy Davis) and Nickles (Derrick Utley) deciding to role play as God and Satan. They watch as J.B (Trevor Glindomrong), a rich banker, declares his wealth as a reward for his faithfulness to God. He believes God is just. However, he soon loses his family and fortune. In the midst of all this, Nickles ridicules people like J.B. for thinking that God cares. J.B. proves faithful in the end with the tiniest speck of hope for the future. Timothy Davis and Derrick Utley had fantastic chemistry throughout the production. Utley dominated the part of Satan with extensive dialogue and fiery emotion. His physicality also emphasized a substantial part of his character. In contrast, Davis was sincere and heartfelt with the role of an endearing God. Sometimes it seemed as though he was not acting at all. Trevor Glindomrong, playing the role of J.B., displayed an enormous amount of emotion in his performance. The supporting actors also showed great character onstage. Although some stumbled over their lines and occasionally broke character, it was quickly caught and forgotten. Joshua Sobel and Benjamin Sturman each took on the role as drunken soldiers and then as police officers. The comforters (Nicolas Segraves, Jordan Glindomrong, David Greenberg), each representing history, science, and religion, also showed an abundant amount of chemistry. Even with minor glitches, the technical aspects of this production turned out to be monumental. The set showed usefulness and simplicity. With Mr. Zuss and Nickles overlooking the stage atop a platform, it was clear it showed symbolism. The lighting helped create the mood, especially when Nickles was talking. The members of the stage crew were perky during scene changes and even got involved with the show by wearing clown noses. All in all, Calvary Christian AcademyÆs ôJ.B.ö proved to be a thought-provoking production. by Elizabeth Sayer of Coral Springs Charter School -------------------------------------------------- In 1958 the play J.B. (written by Archibald MacLeish) was finally published. After several years of work including a transformation from a one-act to a full length play, the script to J.B. at last was and ready to debut. Calvary ChristianÆs performance of the play begins at a circus. A simple set, with two circus vendors; Nickles and Mr. Zuss. From the prologue to the end, Nickels played by Senior Derrick Utley captivated the audience. With a full understanding of his character and body language so on point, Nickles without doubt became the role to watch. A challenge soon arises from this character of Satan to God himself, Mr. Zuss. A challenge of the faith of one man on Earth named J.B., and his reactions after losing everything he holds dear. J.B., played by Trevor Glindomrong, manages to capture the life and reason of the real Job, from the Bible, which the story is meant to underlyingly portray. After a few difficult moments of unclear projection, the plot and themes shone through making what was a hard to understand, verse script very understandable. Outstanding lighting and what sounded like a Broadway score made the storyline all the better. Senior Timothy Davis delivered a fantastic performance as Mr. Zuss and throughout most of the production, God. For a part that calls for conviction, confidence and character, Mr. Davis performed to the utmost level and left the audience with a sense of justice and morals. What could have been a stronger ensemble did not effect the greater good of the play. A set of strong and dedicated leads shone through keeping the audience glued to their seats and thinking. A few long and clunky scene changes were distracting in such an intimate setting but once back on stage, the actors took charge and demanded the attention of their audience. Without question, CalvaryÆs rendition of J.B. was definitely one to remember. by Loren Parra of Coral Springs Charter School -------------------------------------------------- When thereÆs Jesus and the devil in the same room thereÆs bound to be some problem and this definitely proved itself to be true in the Calvary Chapel Black Box Theatre. However the Calvary Christian Academy cast did prove to be able to handle the supernatural beings. J.B is based of the book of Job, just one of the many books of the bible. J.B. is a play written in verse, by Archibald MacLeish and published in 1958. In 1959 it won the Pulitzer Prize for Drama. To prove Jobs loyalty Jesus agrees with the devil that he can do what ever he wants to Job except take his life. The play takes place in a modern day circus where two circus vendors, Mr. Zuss and Nicles, meet and decide that they are going to play the role of God and the devil respectively, where by commencing the play within a play. They sit and watch J.B., a wealthy banker and listen as he proclaims that the only reason he had so much wealth was because of his faithfulness to god. Nicles then challenges Mr. Zuss saying if J.B. lost all of his wealth and his life was ruined then he would curse god. Although faced with the incredible tasks of portraying Jesus and the devil, both Timothy Davis, and Derrick Utley Mr. Zuss and Nicles respectively used there stage space to the best of there advantage. Except for certain parts where they where on the ground and a majority of the back row only heard there voices, but even then the emotions in there voices were so strong that we got what they were saying even without seeing them. Trevor Glindomrong did prove to be the man for his part and Amanda Bassos was defiantly fit to be Sarah J.BÆs wife. Some other notable actors were Joshua Sobel as the first soldier and Benjamin Sturman as the second police officer. Although there stage times were short they really had you focused on them because of there strong character choices. Nicolas Segraves as Bildad, Jordan Glindomrong as Zophar and David Greenberg as Eliphaz did a magnificent job in there ensemble as J.BÆs comforters. Geoff DeSousaÆs lighting did do justice in some scenes, while Nicles was playing the devil the lights turned the stage to red to give the illusion that he was really the devil and he was in unison with Aaron St. Pierre whoÆs sounds really added to the play. The stage crew also did a good job on scene changes and moving props although it could have been done a little faster. Despite some non visual moments while they were on the floor and minor lengthy scene changes I was entertained and I am sour you would have been too if u were there. by Adrian McKay of Coral Springs High School -------------------------------------------------- ôThe Lord giveth. The Lord taketh away. Blessed be the name of the Lordàö Such words are surely words to live by, as was told in Calvary Christian AcademyÆs version of J.B., by Archibald MacLeish. J.B. tells the tale of two actors-turned circus vendors who decide to put on a play of their own, revolving around the book of Job. They observe the action as J.B. (Trevor Glindomrong), the figure of Job, has his life torn apart, with God testing his faith in a number of difficult trials. Once a millionaire with all of the luck in the world, J.B. loses his home, his children, and even his wife. Throughout the hardships, he struggles to maintain his faith in God, as the circus vendors watch on with interest, developing their own views along the way. Calvary Christian AcademyÆs adaptation of J.B. was put forth with an excellent effort from all parties. The cast conveyed the plot in a touching and sincere fashion that sustained itself throughout the show. Timothy Davis portrayed the complacent Mr. Zuss with a deal of talent, showing a genuinely calm and sincere nature throughout his performance. As he portrayed God, he sustained an earnest sobriety that commanded attention, whether he was speaking his verses with authority or quietly observing the scene from æHeavenÆ above. His opposite, Nickles (Derrick Utley), was also played out with expertise. UtleyÆs versatile body language and expressive movements clearly conveyed the evil presence the character exhibited. As Sarah, the despairing wife of J.B., Amanda Bassos was a large success, seeming to effortlessly and naturally maintain her character consistently throughout the show. Ensemble scenes were always achieved with a high level of accomplishment, as each collection acted with a sense of unity. This was especially true in the case of J.B.Æs comforters (Nicolas Segraves, Jordan Glindomrong, David Greenberg), who often played off one another, creating an intricate and interesting scene. The set was picturesquely simple, with bright coloring and vibrant signs depicting the ideal setting of a circus, allowing the locale to be communicated satisfactorily. Lighting techniques varied to fit the variety of emotions of the actors, whether it was an eerie red shining upon the playacting Nickels, or a vibrant spotlight highlighting J.B. and Sarah during a time of particular adversity. Calvary Christian Academy brought the tragic production of J.B. alive, bringing with it a valuable lesson of faith. The chilling and powerful tale ends with a message of hope, ôThe candles in the churches are out. The lights have gone out in the sky. Blow on the coal of the heart and we'll see by and by . . .ö by Meghan Hahl of Coral Springs High School -------------------------------------------------- Set in an era post Hiroshima, terrorized by the atomic bomb and confronted with the Korean War, Archibald MacleishÆs play J.B delineates the human condition through the modern adaptation of a biblical story, a dramatic task that was masterfully conveyed in Calvary Christian AcademyÆs production of J.B. In a desolate circus, two weathered circus vendors, Mr. Zuss and Nickles, decide to stage a drama: The Book of Job. Masquerading as God and his counterpart, Satan, they reenact the biblical test of one manÆs faith in God. The play-within-a-play commences as J.B, the modern Job, relishes in a Thanksgiving dinner surrounded by his prosperous wealth and devoted family, unconscious of the suffering he will endure as it is all stripped from him. Staged in a black box theatre with minimal scenery, the cast of J.B relied on forceful performances that conveyed the tragic elements of the play. Almost the entire cast spoke with such eloquence and perspicuity that ArchibaldÆs MacleishÆs tragic verse was easily comprehended and poignant. Vaulting from his irreverent humor as Nickles to the diatribes of Satan, Derrick Utley demonstrated an incomparable breadth of character development. Utley distorted his facial expressions and corporal movements as his role as Satan gradually influenced his every gesture. UtleyÆs chemistry with Mr. Zuss (Timothy Davis) physically manifested the allegorical dichotomy of good and evil. Davis was the ideal complement to Nickles: an initially stolid man who begins to vehemently argue in defense of the Creator. Amanda Bassos provided some of the playÆs most anguished scenes as J.BÆs wife, Sarah, through her powerful cries for understanding and meditative advice to blow on the coals of oneÆs heart. Her character transitioned from a maternal, supportive wife convinced of GodÆs blessings to a harrowed, disillusioned woman incapable of accepting her husbandÆs faith. J.B also demonstrated clarity of expression and veritable suffering characteristic of a mature emotional performance. His fallen expression and act of defiance against the sardonic Comforters provided a new perspective to the ancient tale of Job. The lighting was appropriate for every scene in the play, adapting to the emotional circumstances of J.B. The scenery and costuming also expanded the carnival motif of the play. Calvary Christian Academy provided a mature, veritable performance of J.B in every respect. by Anna Tenutta of Deerfield Beach High School -------------------------------------------------- A missing daughter, a fire, a fatal car accident, and poverty all strike to test God's "perfect" man in Calvary Christian Academy's production of J.B. The play's namesake, J.B., a wealthy banker, commits to his notion of complete contentment as a mere reward for his love and faithfulness towards God. Set in a circus in today's time, J.B. is discussed by two circus vendors. Nickles, a symbol of Satan, brings upon J.B. all the tragedies in an attempt to delude him to question God and to scorn Mr. Zuss, a symbol of God. The 1959 Tony Award and Pulitzer Prize-winning play was written in verse by Archibald MacLeish in observance of the atomic bombs and the Cold War. MacLeish intended the play to be a political commentary on both hope and faith. The cast of J.B. acted adroitly and communicated their roles appropriately to the melancholy ambience of J.B.'s disheartening situation. Standouts included Amanda Bassos, a dramatic and tear-prone Sarah, who succeeded in the prolonged scenes of her grief every time scourge came her way. Bassos acted with mature and impeccable skill and masterfully added a layer of debacle, as one would expect a mother to react to such inflicted news. Derrick Utley played the devilish Nickles and dutifully spoke dialogue with a sneering resonance while maintaining crooked body posture. Utley always looked down at the stage to highlight his attachment to Hell, which further emphasized the dichotomy of sanctity versus the dubiosity of God. The actors in the ensemble of "J.B.'s comforters" impressed with their vocal ranges and well-timed quips, which provided much-needed comic relief. The production was set in the black box theatre format, which allowed the audience to absorb all of the palpable emotion of the tragedy. The stage crew effectively worked every scene change with the unconventional stage setting. The crew bubbly skipped in their ponytails and clown noses to add to the circus atmosphere. Though some characters seemed miscast, the acting skills of the cast shed Calvary Christian Academy's adaptation of J.B. in a favorable light. God has indeed giveth for this play. by Ara Parikh of Deerfield Beach High School -------------------------------------------------- To what extend does faith surpass all things? In the dichotomy of good verses evil, can there a victor? Calvary Christian AcademyÆs recent production of Archibald MacLeishÆs play in verse, ôJ.B.ö, attempted to explore the answers to these questions. ôJ.B.ö, written in the 1950Æs, is a modern adaptation of the Old TestamentÆs Book of Job. Set at a circus, this drama takes a play-within-a-play approach, with Mr. Zuss and Nickles, two circus vendors, taking on the roles of God and Satan. They watch as Job, an upstanding and God-fearing banker loses everything he has. First, his children all die, he loses his wealth, and his wife, Sarah, leaves him. Mr. Zuss and Nickles wager over if J.B. will ôcurse God and die,ö as Nickles suggests, or stay true to his faith, like Mr. Zuss advises. All main players of this production were emotionally committed and moving, and worked very well together. Nickles, portrayed by Derrick Utley, maintained a sinister and snakelike appearance throughout the play, never wavering from his demanding role. But in keeping with the juxtaposition of good and evil, Timothy Davis, who played Mr. Zuss, maintained benevolence, and the pair played off of each other well. Job (Trevor Glindomrong) and Sarah (Amanda Bassos) also maintained tremendous chemistry and dedication. The two were believable in their quest to portray a couple torn apart by circumstances, and the character development in both was impeccable. The side players in the production also expressed emotional commitment. Prominent in this category was the ensemble of ôComforters,ö who attempted to give J.B. answers in his moment of extreme desperation. The three played off of each other well, delivering their speeches with impressive enunciation of the difficult verse. The set, which was basically a platform to elevate Mr. Zuss and Nickles above the action, worked well with the story, and allowed the actors mobility. Costumes were consistent with the 1950Æs era, and included details which personalized each character. The lighting not only illuminated the stage, but was occasionally used to represent stars. The changing of the mood when Satan spoke was not only evident by UtleyÆs line delivery, but the change of lighting into red. Doubtlessly, Calvary Christian AcademyÆs players not only understood the mature themes behind ôJ.B.ö, but could take these themes and express them with such emotion that it saturated the audience. by Caroline Sileo of Deerfield Beach High School -------------------------------------------------- ôThe Lord giveth. The Lord taketh awayö û this was the melancholy, yet deeply moving reoccurring theme of Cavalry Christian AcademyÆs production of J.B. Archibald MacLeishÆs Pulitzer Prize winning play is a modern adaptation of the biblical account of Job. It tells a story within a story: Mr. Zuss and Nickles are two circus vendors that symbolize the forces of good and evil and they recount the story of Job, known as J.B. in the story within the play. J.B. is a man whose life is just going perfectly. He has everything: wealth, success, a beautiful wife and five children. But when tragedy strikes, J.B. is put to the test. His children all horrifically die, his wife leaves him, his friends accuse him, and his body becomes inundated with boils. But even in all the frustration and despair, J.B. is able to retain his piety and use his connection to God to lead him through it û this in turn enrages Nickles because as the evil, satanic character he was hoping for just the opposite. In the end, Sarah comes back to J.B. and even with all tragedies of their past, a hopeful future looms in the distance. Each performer in the production is to be extolled for his or her significant contribution. The chemistry of the cast onstage was simply astounding, comparable to the likes of professional quality work. It would be an understatement to say that Derrick UtleyÆs portrayal of the lead role of Nickles was simply outstanding. He developed into his character like no other performer on the stage. With his facial nuances portraying the demonic Nickles to his ability to articulate every line with resonating confidence, Utley truly commanded the attention of the audience. Amanda Bassos displayed her immense range of acting talents in her performance as Sarah. Her emotional scenes were truly able to portray the tragedy of the story. And not only was she effortlessly able to remain in character the entire time onstage, she also transcended her performance to a usually unreachable level in high school theatre productions. The stage crew, managed by Katelin Basye and Grace Tacquard, did an incredible job in maintaining the flow of the production. The scene changes were swift and did not distract any attention away from the performers onstage. Macie Sweet equally contributed as props mistress because the multifarious props simply accentuated the brilliant performance onstage. A performance that will break your heart yet inspire you like nothing else, Calvary ChristianÆs portrayal of J.B. transcends typical high school theatre and borders Broadway. by Mohammad Islam of Deerfield Beach High School -------------------------------------------------- As the lights go up, the stage is seen to be set as circus, with large, colorful posters of the "Man made of rubber" and the "Two-headed Nightingale" and a balcony overlooking the stage below. In walks two circus vendors, one selling popcorn and the other, balloons. So begins Calvary Christian Academy's production of Archibald MacLeish's J.B. J.B. is a theatrical adaptation of The Bible's book of Job. It briefly, but clearly, illustrates Job's or J.B.'s undying faith in God and love, even when tested with the loss of everything he's ever had, wealth and family. In this play, J.B.'s life is being watched by Mr. Zuss and Nickles, the two vendors at the beginning that are soon realized to be representations of God and Satan. Written in 1958, J.B. won the Pulitzer and a Tony for Best Drama. Overall, the well casted actors had an exceptional amount of energy that was consistent throughout the play's entirety. Never did any character choices feel forced and although some actors felt less committed to their parts, there was a general dedication among them altogether. Derrick Utley as Nickles was undoubtedly capable of playing the devil. When he switched from vendor to Satan, so did his grimace, physicality, and animation. Timothy Davis playing Mr. Zuss was great, his passive tendencies proved to be a success in his opposition to Nickles, and contributed to their energetic chemistry. Amanda Bassos as Sarah showed an outstanding understanding of what her character felt and needed, not once did she break that connectivity she had with her character. Trevor Glindomrong was interesting as J.B. Time after time, he portrayed his characters unfaltering faith in God with much conviction. J.B.Æs Comforters (Nicolas Segraves, Jordan Glindomrong, and David Greenberg) were very entertaining as the scientist, priest, and philosopher and provided some comedic relief. The music used to enhance the scenes were great choices and really helped with getting more from the characters. The red lighting complimented Nickles' more sinister side and assisted in differentiating when he was trying to seduce Sarah and J.B. into losing their faith in God from him being just a circus vendor. Being that Nickles and Mr. Zuss were spectators on J.B.'s life, it was illustrated really well with the balcony overlooking the stage below. For a moving production of exceptional talent, Calvary Christian Academy's production of J.B. was nothing short of a sensational experience. by Janiel Myers of Dillard Center for the Arts -------------------------------------------------- ôBut He knows the way that I take, when He has tested me, I will come forth as gold,ö Job 23:10 but how much pain will you endure and keep your faith in God? This was the main question brought up at Calvary Christian AcademyÆs production of J.B. J.B. is the contemporary adaptation of the biblical story of Job. This Pulitzer Prize winning drama begins with two circus vendors discussing their roles within the story of Job. As the play progresses the first vender, Mr. Zuss, becomes God and then the second, Nickles, becomes Satan. These two are observers to the life of a billionaire banker, J.B., who loses everything but maintains his faith in God. He never once renounces God for taking everything away from him, including his wife, his children, and his health. As a whole, the entire cast worked well together and used the chemistry between their characters to further their emotional journeys. The directorÆs choice to perform this play in the intimate stetting of a black box theater only served to help the actors convey their emotions to the audience. Derrick Utley excellently portrayed the transformation of a circus vender to Satan in his interpretation of the character Nickles. He, very convincingly, took on the persona of this universally evil character and created an extremely emotional performance. NicklesÆs counterpart Mr. Zuss was brilliantly played by Timothy Davis. His calm portrayal of his character was a great contrast to the anger of Nickles. Trevor Glindomrong gave a great performance as J.B. His emotional commitment to the character was very impressive. Amanda Bassos was wonderful as the emotional wife of J.B., Sarah. The strength of her performance brought out deep emotions in all her scenes. A few weaker actors fell to the back due to the strength of the leading characters. This show made great use of music to complement the scenes. Each song served to further the emotions of the play. The student run props were a very creative addition to the play, adding to the circus motif of the production. Calvary Christian Academy gave an extremely moving performance of this wonderfully dark play. by Rhiannon Tasker of Dillard Center for the Arts -------------------------------------------------- A circus seems the least likely place for an impassioned debate on the belief of God and the forces of good and evil. But poetically enough, it served as the prime location in Calvary Christian AcademyÆs adaptation of the play ôJ.B.ö. ôJ.B.ö written by Archibald MacLeish is a Pulitzer Prize winning modern day adaptation of the biblical tale of Job. Job- a successful happy man, who is tested with the worst conceivable tragedies all meant to test his faith in God. Meanwhile, two deity-like carnies watch over the trials and tribulations he endures and critique the anomalies of faith. Calvary ChristianÆs production was a well rounded performance that was successful in all aspects and elements. From a developed ensemble, Powerful set and a completely on-point technical crew. Led by an outstanding principal core, ôJ.B.ö created a memorable experience. The impressive duo of Mr. Zuss and Nickels were incomparable. These two Carnie/Actor/Demigods harvested a deep connection with each other and with the other characters as the action took place. Nickels, played by Derrick Utley, transitioned beautifully from disgruntled skeptic into a raging satanic force showing an advanced mastery of characterization. Mr. Zuss played by Timothy Davis, a gentile balloon salesman representing God, gave an earnest, impassioned performance that perfectly complemented his counterpart Utley. Also brilliant was Amanda Bassos, who portrayed JobÆs steadfast wife Sarah. BassosÆs growth throughout the play from quaint and allegiant to her dramatic breakdown scenes were entirely believable and chillingly honest. The slew of smaller featured performers nicely progressed the storyline, but lacked an overall sense of purpose when delivering their lines. All technical aspects of this show were on point. Lighting was simplistic and effective, perfectly catering to the needs of this performance. The minimalist set created a dreamlike carnival illusion that was not distracting to the action of the story. This unique and compelling political commentary brought forth questions of deep social and religious value, such as the need of faith, guilt, and love in our lives. The cast and crew of Calvary Christian AcademyÆs ôJ.B.ö gave a valuable performance that taught to ôblow on the embers of the heartö. by Kelcie Schwab of Marjory Stoneman Douglas High School -------------------------------------------------- Can a man question his faith and love for God when everything in his life is tragedy? Can a man keep his trust in God when all he brings him is suffer and despair? The desire to trust God is within ones self. And one has to have hope and some kind of inspiration to keep overcoming the sufferings that one has faced. One man did display his overwhelming and continuing faith for God in Calvary Christian Academy's production of J.B. a modern adaptation of the biblical account of Job. J.B. was written by Archibald MacLeish.It was published in 1958 and did indeed win a Tony award for best play. The play is supposed to represent MacLeigh's reactions to the horrifying events he saw during the two world wars, the bombings of Hiroshima, and the Holocaust. The show opens up at a circus with two characters present. Mr. Zuss who is assumed to be God and Nickles as Satan begins to tell and set the story. They watch J.B. and his family share a Thanksgiving dinner while J.B and his wife Sarah explain to their children why they thank God on that day and why they honor God and his presence so much. As the story goes on, the two vendors observe J.B.'s terrible path of tragic events. Nickles challenges Mr. Zuss that J.B. will curse God if his life is ruined. With your children dieing in vile accidents, losing money and having to go to the streets, and your wife leaving your side when she tries to search for something opposite of what they have been experiencing, you can' t help to question God and his existence and why he has put you in such an sickening place. He is visited by three comforters who try to explain the different reasons why he is where is he but J.B. refuses to believe any of them. When Nickles presents the suggestion of suicide and God offers his old life for slight obligation to religion, J.B. takes none of it. His wife Sarah then comes back to him and they agree to begin a new life, keeping their faith and trust in God. The simple yet vibrant set really caught an audiences eye. The impeccable sound of the actors projection was crisp and clean. The costumes and props really added such a delightful effect to the life of the circus. The lighting changes when Nickles was personifying Satan highlighted the change of mood in the scene. Although some scene changes were a bit distracting, it did not take away the audience's focus of the events that took place in each scene. All of the aspects that put together the show illustrated what the author and actors were trying to portray to the audience. Timothy Davis's performance of Mr. Zuss was powerful, engaging, and showed his own take on the character. Derrick Utley who played Nickles was nefarious, outstanding, and his body language unfolded his character. Their performance as a team really displayed such developed characterization between the two. Trevor Glindomrong's performance as J.B. was heart felt and extremely remarkable. Amanda Bassos, who played his wife Sarah, was simply divine and took the audience with her in her display of emotion. Trevor and Amanda together really showed the struggle between a husband and wife who kept being introduced to bad news continuously throughout their life. The supporting, featured, and cameo actors and actresses really worked together as a cast. You could feel everyones unending energy as the story was told. The cast as a whole played off of each others characters so well and it was enjoyable for the audience to watch. So, can a man really keep his trust in god when nothing good is coming into his life? Can he end his belief in God by blaming his suffering on him? No one can really answer that question for someone else. It all depends on how you want to see things, change things, and do what God expects of you. In the story of J.B., his never ending inspiration for God brought him to the lowest points of his life but also brought him to the top of his life with the love from his incredible family and wife. by Lauren Tepper of Marjory Stoneman Douglas High School -------------------------------------------------- What does one do when his faith is tested? This is the question presented by Calvary Christian AcademyÆs magnificent production of ôJ.B.ö. A superbly talented group of actors delved into the topic of faith and the strength of faith as tragedy strikes, creating a performance that left the audience breathless and moved to tears. This play, written by Archibald MacLeish and published in 1958, is based on the Book of Job from the Old Testament. The play won both the Pulitzer Prize for Drama and the Tony Award in 1959. ôJ.B.ö is set in a modern circus, where two vendors, Mr. Zuss (Timothy Davis) and Nickles (Derrick Utley), assume the roles of God and Satan, respectively. They watch as J.B. (Trevor Glindomrong), a wealthy banker describes his riches as a gift for his faith in God. Nickles angrily challenges Zuss that J.B. will curse God if his life is ruined, and the two watch as the life J.B. knew is taken away piece by piece. Derrick Utley expertly played the role of Nickles, captivating the audience with a powerful stage presence that kept eyes slyly glancing at him even when he was not directly involved in the scene. Opposite Utley, Timothy Davis gives a remarkable performance as Zuss, adding to the chemistry and interaction between the dynamic duo. Trevor Glindomrong brilliantly performed J.B., fully capturing the character and filling every line with immense passion. Amanda BassosÆs exceptional performance as J.B.Æs wife, Sarah, captivated audiences and kept eyes riveted on the stage. It was difficult at many times throughout the play to remember that Sarah was not indeed a real individual, as BassosÆs emotions and responses to the grief seemed entirely natural. The ensemble added a unique characteristic and every performer left a firm impression to the audience while on the stage. Calvary Christian AcademyÆs ôBlack Box Theatreö provided an intimate atmosphere, allowing the audience to fully comprehend every emotion behind the play. The one main set piece was brilliantly constructed and provided a simple and sufficient touch, and the bright and vibrant costumes were an uplifting touch to a rather morbid play. Although the dark nature of ôJ.B.ö would seem to be an intricate production for a school to undertake, Calvary Christian Academy did the job extraordinarily. by Mina Radman of Marjory Stoneman Douglas High School -------------------------------------------------- Striking, old-fashioned circus posters served as the framework for Calvary Christian AcademyÆs performance of the play ôJ.B.ö, a modern adaptation of the perennial story of the Job. Written by Archibald MacLeish, this winner of the 1959 Pulitzer Prize for Drama tells the epic tale of a man who must find redemption when his charmed life transforms into a living nightmare. A pair of circus vendors, Mr. Zuss and Nickles, take on the roles of God and Satan, respectively, in order to play out the life of a lucky millionaire named J.B.; his wife, Sarah; and their five children. The two chronicle the downfall of J.B.Æs good fortune and the world around him, while providing commentary on the nature of good and evil and each individualÆs struggle to find salvation through faith. Once J.B. has lost everything and been forced into a life of solemn poverty, he must settle Mr. Zuss and NicklesÆ dispute once and for all by either siding with Satan or relying on God for deliverance. Timothy Davis and Derrick Utley portrayed Mr. Zuss and Nickles impeccably, and the two actors had fantastic chemistry. As Mr. Zuss, Davis compassionately commented on the action; contrasting Davis nicely was Utley, who was consistently focused on the sinister, chilling role of Nickles. Each looked on at the play-within-a-play from their scaffold perch with unfaltering engagement, and acted all of their scenes compellingly. As characters within the play ôdirectedö by Mr. Zuss and Nickles, J.B. (Trevor Glindomrong) and Sarah (Amanda Bassos), his wife, acted their parts impressively. Both brought depth and reality to their difficult roles. With steadily increasing levels of emotion, Glindomrong and Bassos successfully displayed passion for both their roles and the play itself. ôJ.B.ö was a well-selected piece, and effectively displayed the castÆs many talents. Each individual had something different to offer, and the many duos and ensembles enabled actors to be part of a group effort while simultaneously discovering their own characters. Although some actors broke character at points and a few set changes were slightly prolonged, the actorsÆ talent and understanding of character provided an enjoyable theatre experience. All in all, ôJ.B.ö was a thought-provoking and moving piece of theatre, filled with themes that were all at once sinister, sorrowful, and hopeful. The cast and crew did a fantastic job, and left the audienceÆs ears ringing with a strong and inspiring message of faith. by Alex Tanner of North Broward Preparatory School -------------------------------------------------- ôJ.B.,ö by Archibald MacLeish, is the inspiring tale of one manÆs devotion to his faith despite the unthinkable tragedies he endures. Based on the biblical account of Job, this modernized adaptation is filled with powerful themes of perseverance, virtue, and dedication, which Calvary Christian Academy portrayed superbly. In a quiet circus tent after the audience has left, Mr. Zuss, a balloon seller, and Nickles, a popcorn vendor, begin to discuss how faith can exist when faced with suffering and affliction. The two decide to assume the roles of God and Satan, with the hopeful Mr. Zuss taking on the former and the cynical Nickels undertaking the latter. J.B., a moral, religious, and affluent man becomes the center of their argument as his once perfect life takes several turns for the worst. From above, Mr. Zuss and Nickles look on as J.B. loses his children, his wealth, and eventually his wife, yet he continues to believe in sanctity of the divine will. Ultimately, J.B. is left to decide the outcome of the debate by either turning to the temptations of Satan or retaining his faith in the power of God. Derrick Utley was outstanding as the sinister and sardonic Nickles, instilling his part with subtle mannerisms that made his portrayal as engaging as it was real. Likewise, Timothy Davis, as Mr. Zuss, coupled his character with innocence and compassion that contrasted UtleyÆs steadfast aggression noticeably well. Furthermore, Trevor Glindomrong, as J.B., distinguished his performance by demonstrating an impressive stage presence, as well as an almost inborn attention to the smaller details of his tumultuous persona. Amanda Bassos, as J.B.Æs wife, Sarah, exuded complexity and grace through her stirring responses to the tragic events of the play. Similarly, Joshua Sobel, as a Soldier, and Robert Discipio, as Johnson, commanded praise for their spirited depictions whenever they appeared onstage. The set, consisting of a table, a platform, and painted posters of circus sideshows, suited the cast notably well throughout the production. While the majority of the cast was able to master their lines, minor difficulties with diction were present, though on the whole, the show ran fluidly from scene to scene. With an extraordinary cast to take on this challenging show, Calvary Christian performed a compelling and thought-provoking piece of theatre that should be commended for its nearly flawless execution. by David Friedman of North Broward Preparatory School -------------------------------------------------- To what point is ones own personal faith tested and to what point does one really have control over his or her own life? These are questions explored during Calvary Christian AcademyÆs thought provoking and poignant production of J.B written in verse by Archibald MacLeish. An inspiring look at faith, perseverance, and determination, J.B. is a modern adaptation of the biblical account of job. It tells the story of a religious man, J.B, and the many tests he is confronted with to examine his own faith in God. Set in a circus tent, this play-within-a-play is a tragic tale of love, loss, and life lessons that must be faced in order to grow spiritually. Two circus vendors assume the roles of God and Satan and watch as J.B. and his solicitous wife Sarah endure countless setbacks and tragedies. However the two ultimately manage to persevere with admirable strength and unwavering faith. Opening the show, Timothy Davis, as Mr. Zuss and Derrick Utley as Nickles were outstanding in their complex and intricate portrayals of their roles. The two complemented each other beautifully and truly did ôplay their parts.ö As J.B., Trevor Glindomrong gave an impressive and passionate performance. Equally noteworthy was Amanda Bassos in her believable and heart wrenching portrayal of Sarah, J.B.Æs wife. Joshua Sobel was exceptional in his comedic portrayal of the soldier. Sobel provided a much-needed comic relief in an otherwise tragic plot. Equally notable were Nicholas Segraves, Jordan Glindomrong, and David Greenberg in their portrayals of J.B.Æs comforters. The three displayed remarkable energy and infectious enthusiasm throughout their performances. The simple yet appealing set provided a perfect atmosphere for the actors and was juxtaposition to the actorsÆ complex roles. Comprised of only a circus tent and a table and chairs, it is unarguable that the set functioned appropriately and added to the overall production itself. While the set changes were executed well, some were lengthy and took away from the production as a whole. Some minor problems include a lack of energy by the ensemble and a slight lack of articulation. However the passion and dedication of the actors more than compensated for these negligible flaws. Overall, J.B. was a perfect blend of faith, devotion, and perseverance that was truly engaging. On the whole, Calvary Christian AcademyÆs production of J.B. is one not to be missed. by Jessica Kent of North Broward Preparatory School -------------------------------------------------- ôDo we have the kind of faith that Job had?ö Calvary Christian AcademyÆs production of J.B., a play written in verse by Archibald MacLeish, explores the age-old virtues of redemption, adoration, and faith in this riveting production that was nothing short of extraordinary. Set amidst a vibrant backdrop of cotton candy scents, candy apples, and colorful balloons, J.B. is told from the vantage point of Mr. Zuss and Nickels, who assume the roles of God and Satan, exemplifying the never ending battle between good and evil, in their play within a play. Throughout the show, they scrutinize a respectable man by the name of J.B. who continues to honor his faith in god, no matter what the circumstances. Nickels believes that when J.B.Æs world comes crashing down, his faith in God will deteriorate; However, only J.B. can be the decider of his own personal fate. J.B. propelled forward with the aid of an astonishing all-star cast. Derrick Utley, as Nickels, deliciously brought out the oblique sinisterness of his character. Even his littlest mannerisms seemed finely in tune to Nickels and his characterization and diction were outstanding. Playing opposite Nickels in the role of Mr. Zuss was Timothy Davis, whose commanding stage presence complimented UtleyÆs very nicely and their chemistry was exceptional. In the title role, Trevor Glimdomrong was captivating as the defeated J.B. His impressive presence allowed him to bring all the subtleties of his character to life in this tale of remorse. Amanda Bassos, in the role of Sarah, brought a raw, vulnerable side to her character. ItÆs surprising that Bassos is only involved in High School theatre, for her work is near that of a professional. The actors were able to overcompensate for the acoustics by delivering their lines with perfect Click here to RETURN to the events list.